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Get To Know Mila Script Pro - Nice Type

Introducing Mila Script Pro

Mila Script Pro is a handmade brush script with round and soft letterforms, a low x-height and jumping baseline. It offers 2600+ characters, four different initial styles, capital swash and titling alternates, connected words, 17 different initial- and terminal-swashes and much more. All of course with full ISO latin 1 & 2 language support.

Mila Script Sans enhances the family-appearance with 3 weights: combine Script and Sans and equal the line weights by choosing Light, Regular or Bold. Finally add Mila Script Ornaments for some extra decoration! 

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Save 80%! Shop the family for only $ 17,80 til October 25

Typesetting is made easy with Mila Script Pro & Basic
Smart OpenType features care about all letterforms and choose between connected and non-connected styles. AutomaticSwashControl adjusts the swashy letters to the available white space. It’s installed within Mila’s main features OpenType Contextual-Alternates, Swashes and Titling-Alternates. Switch one on and let Mila do the rest.

The icing on the cake is Mila Script Ornaments. It contains 69 different swashes and symbols, all of them available in seven different sizes. Change the size and keep the line weight: activate Contextual Alternates, type a letter and add + to enlarge all swashes according to your likings.

Please visit MyFonts and view the gallery. Many more pictures show the family’s core features. For a deep inside view, please read over the manual: 80+ pages describe the whole family in every detail. Get it here: http://www.buerofliegenpilz.at/downloads/MilaScriptPro-Manual.zip

The Mila Script Pro Family at a glance:
• Mila Script Pro and Basic: two versatile, multi-functional brush script fonts
• Mila Script Sans: a hand-drawn Sans-Serif in 3 weights
• Mila Script Ornaments: 69 different swashes and symbols, each in seven different sizes

The Mila Script Pro family in total includes 6 styles. It is specially tailored for food-, magazine-, book- and packaging-design. 


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Threaded Ed.18 Released

Curiosity. Who cares what it did to the cat? These days, more than ever, a sense of curiosity is the ultimate self-starter kit, for not only every designer but every sentient human being. It’s like an action pack that no knowledge-acquisitive superhero can go without. Without curiosity to set you off, these days, you really are lost. Like it or not, the days of the clock puncher are numbered. Machines will do all the heavy lifting in no time, and the feather-dusting too for that matter. Therefore, in a sense, we must all be in the self-improvement business, whatever other business we happen to be in. Education has gone buzzword holistic. It’s everywhere you are and everything you do, or as close as it can be. Well, learning is certainly no longer the preserve of the athenaeum, the academy, the lecture room, the ivory tower, the Ivy league or even the studio – and certainly not the privileged few.

Well it’s hot and revolutionary stuff. But, however flexible and mobile a designer’s educational options may be in these heady days, the first requirement remains the same. An insatiable degree of curiosity may be the most valuable trait that any designer, artist or, again, just sentient human being, can wish to possess. After all, each of us, these days, has a world of information at our fingertips, but do we know which questions are worth asking? Of course, there’s only one way to find that out and that’s the curious thing…
 

FEATURED IN THIS ISSUE:

  • M35 - Bringing clarity to the complex
    [Sydney, Australia, Multimedia Agency]
  • Gemma O'Brien - The master of textual conversations [Australia, Artist & Designer]
  • Anna Crichton - A day on the life of a cartoonist
    [New Zealand illustrator]
  • Fraser Muggeridge - Prioritizing content over a signature style [London, Design Studio]
  • Holli McEntegart - Intersectioning the real and imagined
    [New York Artist]

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NEW EXHIBITION: The Transmogrifier Collection by Katy Wallace

Katy Wallace, Someone Else's Chair

Katy Wallace, Someone Else's Chair

The Transmogrifier Collection features works by Gisborne-based designer Katy Wallace. Each piece of furniture has been crafted using secondhand objects as the material for a newly designed piece.

The exhibition is the result of the ongoing project ‘Transmogrifier’ – an experimental process that Katy Wallace began in in 2008. Each piece of furniture has been crafted using discarded and secondhand objects as the source material for a newly designed one-off object.

Wallace says of this process, “I use the Transmogrifier Machine to bring personality and emotion to the pieces I make – I want to give them a story and to engage people in that narrative”.

The exhibition at Objectspace comprises 80 hand-crafted objects such as tables, chairs, drawers. Each piece of furniture reveals the maker’s highly original touch.

Katy Wallace, Barry's Kidney Table

Katy Wallace, Barry's Kidney Table

“The collection of objects form a strange second hand store, where the broken have been fixed, the vestigial repurposed, or where the original object has altered almost entirely.” – Henry Davidson

Event Details

What: Exhibition – The Transmogrifier Collection
Where: Objectspace, 8 Ponsonby Rd, Auckland
When: 5 February – 28 February 2015
Gallery hours: Mon – Sat, 10am – 5pm. Free admission.


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